Tuesday, 11 January 2011

Kingpin

KINGPIN

For approximately 1 minute
I was king

The feeling as the ball rolled from my hand,
arrowing straight down the centre of the lane,
maintaining a position of perfection,
as it travelled at the speed of delight,
equal distance between the two gully’s.

My own projectile missile,
Target locked on.
Upon Impact,
producing a harmonic sound of an organised crescendo of chaos,
as the ball struck the centre pin.
The catalyst for the chain reaction,
collapsing all 10 pins.
Obliterated
Nothing left

That was my moment

I'd long ago accepted my position,
as issued by God.
My rank being verbal punch-bag,
in the great order of things.

I'm the one you wonna' play pool against,
after you've just taken a whipping.

Talk to me for an instant ego boost

My social scene is like a fruit machine
My mates are like the cherries,
always in pairs.
I'm the lemon.

I turned back round,
and saw my 3 friends,
and their girlfreinds,
with their mouths open wide,
as if they were about to engage in speech,
but nothing was coming out.


I never knew silence could make a sound so beautiful

Spit and Sawdust (2010)

This piece was written as part of the Edinburgh Fringe Show I did with the Roundhosue Poetry Collective, "The Greatest poet That Ever Lived." We each had to write a eulogy based around a character we imagined to be "The Greastest Poet." 





SPIT AND SAWDUST

"Nice boys feed birds
Tough boys catch birds
Rough boys slap birds
Fact is truth hurts.

If your nice - think twice
If your tough - be nice
If your rough – eff off
Life's already saturated with you bastards"

Sound advcice,
that's all I ever got.
No matter what,
he's always stop,
take 5 minutes and ask how I am.

I'd catch flies just to hear him talk,
let alone when he used to recite.
He had a way of reaching people,
seeking their level and communicating,
without ever patronizing.

I was a lost boy,
with no shoes trying to find my feet.
he offered me the shadow of his wing.
If that weren’t enough he taught me to fly.

What did I know about poetry?
the first time I met him,
I had no idea who he was.
He'd never met me,
but he knew all about me straight away at the first glance.
Scared little boy little boy lost in London,
hiding behind a thin mask of nice lad come jack the lad.

It was just an open mike.
I'd done my piece,
the night had come to a close.
Afterward this haggardly looking man approached me and said
"You need to open your mouth more when you speak,
if you don't stretch you won't reach"

I remember thinking;
"who is this guy?!"
He then said
"don't come here next week.
Me and you,
were going for a beer.
I know a little place away from the noise.”

He gave me his number and left.
Well,
he tried to leave,
but for each inch he gained closer to the exit door,
another horde of people would crowd him asking questions,
like he was some sort of prophet.
Knowing what I know now,
I’m sure he just wanted a whiskey and a cigarette.

I didn’t think poetry people drank larger.
that was the drink of the common man, surely?
The chosen drink of my mates and I.

The first lesson he taught me?
"Dismiss anything you know.
Unless you ACTUALLY know,
and I know,
that the only thing you know,
is you,
and you’re only just getting to know you.
So for now,
don't think,
just drink your larger and listen.
P.S where I grew up,
larger is for women."



The Weakness Of Many Tellers of Tales (2010)

This piece was written during term 2, January-April, of the roundhouse Poetry collective. This particular exercise was set by Inua Ellams. We were all given a list of quotes to use as titles from the book "The Heart Of Darkness", and asked to write a short piece, which were printed onto a pamphlet and used as part of an exhibition in the cafe at The Roundhouse, where Inua had painted the whole wall with some amazing graphics inspired by the book.  

THE WEAKNESS OF MANY TELLERS OF TALES

Actions have consequences
Positive or Negative
No action other than one of the mouth
Reverberates back with the bend of a boomerang

Machine gun tongues
On the front lines of living rooms
Camped around bonfires of weed
Barricaded in boozerz
Belly flopping into pints of larger

Know it all's
Bought every t-shirt
Knew about the latest act to sign when they were still underground
Conspiracy theories about new world orders

Take this guy that I knew
For now,
Lets just call him me

Me has trod water
Flirted with drowning
Battled for ends meat
Ever since me left home

I know me
Me talked a lot
Me told a lot of tales
Ideas seem to manifest in his head
Without or without beer and weed
Hold up in pubs
Sat relaxed in living rooms
Cramped in the back of Fiat Uno's

Did me act on his ideas?
No
So where me now?
Exactly

Taking Stock (2009)

This was also another piece written during term 1 at the Roundhouse Poetry Collective, the title was given to us by Polar Bear, and this is what I wrote. I've no idea back then why I wrote everything in capitol's, which is why I have left it that way, as it's an indication of where I was at the time.


TAKING STOCK

HE KNEW HE'D GONE TOO FAR
WHEN HE WALKED OUT WITH THE HOLBY CITY BOXSET,
.......AND THEN TOOK IT BACK,
WHEN HE WAS NEXT ON SHIFT WITH THE AIR OF A DISGRUNTLED CUSTOMER
UNSATISIFED WITH THE PRODUCT

THE EXPANDING PILE'S OF DVD'S ON PERMENANT LOAN FORM WORK,
IN THE CORNER OF TONY'S BEDROOM
WAS STARTING TO RESEMBLE A MINI METROPOLIS
WITH EACH PILE A SKY SCRAPER,
TRYING TO OUTDO THE NEAREST NEIGHBOUR
IN A SHOW OF HEIGHT MEANS POWER

TONY KNEW HE'd BECOAME TOO LAX WITH HIS HABIT TOO TAX
I MEAN, HOLBY CITY?
WHAT WAS HE THINKING?
AND THEN TAKING IT BACK??
WHAT WAS HE THINKING?

BUT TONY WAS INDIFFERENT
INSISTENT TO HIS FREINDS THAT HE COULDANT CARE LESS EITHER WAY
IN FACT
HE SAID HE'D WELCOME A SACKING

IT MIGHT PROMOPT HIM TO DO SOMETHING WITH HIS DEGREE
TONY KNEW HE TOOK OLYMPIC GOLD WHEN IT CAME
TO INTERNATIONAL UNDERACIEVMENT
HE DID'NT SPEACK MUCH OF HIS OWN DESIRE
HE DID ONCE SHOW ME A FILM HE MADE AFTER THE CHRISTMAS PARTY LAST YEAR

IN A DRUNKEN STATE
WE PILED BACK TO HIS MUM'S HOUSE
AND I SPOTED IT HIDING IN AOUNGST THE HUNDREDS OF DVD'S
HE RELUCTANTLY AGREED AND STUCK IT ON

OF COURSE I DID'NT UNDERSTAND IT
NO-ONE DID
AND I CAN ONLY PRESUME AT THE POINT,
STEVE,
WHO'D NEVER LIKED TONY,
STEVE JUST WERNT THAT CLEVOR
BUT HE WAS CLEVOR ENOUGH TO PUT 2 AND 2 TOGETHER
AND ATTIRTUBE THE LARGE NUMBER OF DVD'S IN TONYS POSSESSION,
TO ACCOUNT FOR A LARGE AMOUNT OF MISSING STOCK
IN THE ANNUAL STOCK TAKE
IT WAS ONLY A SMALL STORE

AND SURE ENOUGH STEVE WAS CAUGHT
WELL, NOT CAUGHT, YET
INNCOCENT UNTIL PROOVEN GUILITY
THE AREA LOSS PREVENTION OFFICER
HAD HIM IN THE OFFICE,
CLUTCHING THE HOLBY CITY BOXSET
LIKE A DETETVICE INSPECTOR CLUTCHING THE PREVERBIRAL BOOK

TONY COULDANT JUSTIFY WHY HE WAS IN POSSESSION OF THE BOXSET
JUST BEFORE STORE OPENING TIME OF 9A.M
AND THE 5 STAR LOSS PREVENTION OFFICER TURNED CHEIF SUPER INTENDANT
COULDANT PROOVE THAT TONY HAD ROBBED IT AS HE WAS TECHNICALLY ON THE PREMISIES
THE LOSS PREVENTION MAN WAS BECOME MORE AND MORE FRSUTRATED
AS I COULD SEE THOUGH THE WINDOW IN THE DOOR OF THE OFFICE
THE HOLBY CITY BOXSET ATTCHED TO A HAND THAT WAS FLAPPING ROUND
LIKE A T-SHIRT ON A WASHING LINE IN A STRONG WIND

I IMAGNINED TONY WAS PROIBABLY FINDING THE WHOLE AFFAIR QUITE AMMUSING
OR AT LEAST SOMEWHAT INCONVINING
BUT WHEN HE CAME OUT
THE ONLY THING HE SAID WAS
"I THOUGHT THE FIRST EPISODE WAS ALLRIGHT, BUT THERE WAS NO PROGESSION"
HE GAVE A SLIGHT SMILE
SIGHED
IT LATER TRANSIRED THAT HE'S BEEN TEMPROAILEY SUSPENDED
PENDING INVESTIGATION
WHICH WOULD EXPLAIN WHY I SAW HIM ON MY LUNCHBREAK
BUYING A PEN, A PAD AND A COPY OF AN OPEN UNIVERSTITY MAGAZINE

The Boy (2009)

This is a poem / short story that a wrote as part of an exercise set by Polar Bear in the first term, winter 09, that I took part in with the Roundhouse Poetry Collective



THE BOY WALKS THROUGH THE AUTOMATIC DOORS
TAKING NOTE OF THE WHITE STICKER'S ON BOTH DOORS,
THEY SAY "AUTOMATIC DOORS"
AS BOTH DOORS GO TO THE LEFT RIGHT REsPECTIVLY
THE PARTING OF THE DOORS LIKE THE PARTING OF THE SEAS

THE SMELL OF CHORLINE HITS HIS NOSE,
AND THE DISTANT NOISE OF ADOLESCANT SCREAMS
TICKLES HIS EARS DRUMS

DRESSED IN JEANS AND A JUMPER
THE JUMPER FAILING TO DISGUISE THE EXCESS WEIGHT ROUND HIS WAISTE
HARDLY THE ATTIRE OF A LESIURE CENTRE GOER
HE HEADS FOR THE YOUNG LADY AT THE RECEPTION DESK

THE LADY BEHIND THE DESK,
DRESSED,
IN A SPORTS POLO AND TRACKSUIT BOTTOMS,
ANSERWS THE BOYS REQUEST,
TO COMMANDEER THE SNOOKER TABLE FOR THE NEXT 2 HOURS

THE BOY COLLECTS,
THEN INSPECTS,
THE BLACK TRAY OF SPINNING BALLS,
2 QUES AND A BLOCK OF CHALK,
AS HIS PODGY FINGERS PART WITH HIS CASH

THE BOYS TAKES A GLANCE BACK,
TOWARDS THE ENTRENCE THEN HE DRAWS A DEEP BREATH

THE YOUNG LADY BEHIND RECEPTION,
THEN BEGINS TO ISSUE THE INSTRUCTIONS,
DIRECTING THE BOY TO THE SNOOKER ROOM
BUT BEFORE SHE HAS EVEN FINISHED,
THE BOY IS A QUATER OF THE WAY UP THE STAIRS

FACE CONCENTRATED LIKE A MAN ON A MISSION
HOLDING THE TRAY FULL OF SPINNING BALLS
LIKE A WAITER BALANCING A DELICATE PLATE
THE BOY MAKES HIS WAY

HE WALKS DOWN A CORRIDOR
THROUGH THE BROWN FIRE DOOR DOUBLE DOORS
AND OUT ONTO THE NEXT CORRIDOOR
WHICH SERVS AS A PROMENADE
OVER LOOKING THE SWIMMING POOL

THE BOY LOOKS OVER THE EDGE,
4 VERICAL LINES OF SEGREGATION SLICE THROUGH THE POOL
PARTITNIONED ACCORDING TO LEVEL OF PRACTICE
THE LANE AT THE FAR END SEEMS TO CATCH HIS EYE,
BEGINNERS,
SMALL GROUPS OF MOTHERS AND FATHERS,
SPLASHING ROUND WITH RELUCTANT INFLATABLE ARM BAND CLAD KIDS
WHILST THE REST OF THE PEOPLE JUST GO UP AND DOWN,
BACK AND FORTH

THE BOY JUST TUTS AND TWISTS
THE TWO SNOOKER QUES GRIPPED IN HIS RIGHT HAND,
AS THE PROMENADE ENDS,
AND JUST BECOMES ANOTHER STERILE CORRIDOR
3 WALLS TURNED BACK TO 4
ORDER RESTORED

THE BOY WALKS FORWARDS,
AND SEEMS TO IGNOIRE
THE POSTER CLAD WALLS OF KICKBOXAISE, KEEP FIT AND PILATES
UNTIL HE STOPES AT THE DOOR THAT INDICATES "ROOM 19, SNOOKER"

HE WALKS THROUGH THE DOOR AND ENTERS THE ROOM,
HE CASTS A GLANCE LEFT AND RIGHT
ALL HE SEES IS TWO FULL SISE SNOOKER TABLES,
DOMINATING THE SPACE

HE HEADS TO THE TABLE ON HIS LEFT,
AND RESTING THE QUE'S UP AGAINST THE EDGE,
HE PLACES THE BALLS AND CHALK ONTO THE GREEN FELT
THE BOY THEN HEADS TOWADRS THE SCOREBORAD,
AND THEN SLIDES ALL THE GOLD SQUARES BACK TO 0

HE WAITS,
THEN HESITATES,
HIS EYES MOVE BACK AND FORTH TOWARDS THE DOOR
THE BOY TUTS AND THEN MUMBLES AN EXPLITIVE
AND TAKES A RED BALL FROM THE TRAY,
AND LINES IT UP ON THE D

HE PLACES THE WHITE BALL,
AT THE OPPOSIYE END OF THE TABLE,
AND ASSUMES HIS QUEING POSITION,
THE BOY SMAHES THE WHITE TOWARDS THE RED,
THE RED AND WHITE COLLIDE WITH FORCE,
AND RIQUOET OFF INTO DIFFERENT DIRECTIONS

THE BOY THEN REPEATS THIS SEVERAL TIMES,
WITH EACH STRIKE MORE AGGRESIVE THAN THE LAST,
UNTIL FINALLY,
HE MIS-QUES HIS LAST HIT,
ONLY SKIMMING THE TOP OF THE WHITE BALL
THE WHITE THEN FEEBLY ROLLS TOWARDS THE RED,
POSITIONED NEAR TO A CORNER AT THE FAR END,
THE WHITE MISSES THE RED,
AND ROLLS INTO THE EMPTY POCKET,
SUNK



Monday, 10 January 2011

Happy New year

vGreeting's.

Happy new year indeed.
January is now in full swing. I swung into 2011 like a child swinging on a swing, having completed the 45 show run for The Great Escape (A Borrowers Tale) at BAC which I really enjoyed,  and finishing runner up in the Manorlogz 2010 Extreme Spoken Word Competition.
http://www.youtube.com/user/4frontTv#p/u/0/5xTD0yBFUAg

I was pretty chuffed to finish runner up so thankyou to everyone that voted. It taught me to stop being so shy when it comes to self promotion, spoken word is a small scene in a small country. My pipe dream of letting the words and performances do the talking is just that, a pipe dream. Even when  I smoked (don't tell Mum!!), I was never one for pipes anyway...

Congratulations of course to Mark "Mr T" Thompson who won not only the overall prize but was the people's champion as well. At the end of the day Mark stepped up and delivered as only a pro does. Having spent a good amount of time backstage with all the contestants (at least 4-5 hours), I gathered quickly that Mark is an intelligent and knowledgeable guy, and a good bloke too. You can find out more from Mark and his various projects on http://www.theccpress.co.uk/.  Generally the vibe backstage was good and I enjoyed the company of everyone that performed. That was only the first show for Manorlogz and the 4front team who have set the benchmark.

I started off the beginning of 2010 deciding that I was going to quit my full time job, pay off a loan and move back to my parents by the summer, in order to peruse a complete change of direction which I've managed to do. At the moment I'm looking into some courses in becoming a mentor and youth work, which hopefully will tie into my work as a performer. It wasn't until I was 25 that I realised this is the life I wanted to lead, and be lucky enough to have the right people show some faith in me. If I can help a young mind realise their potential and calling, I'm quite sure that would provide me with far more than just job satisfaction.

I'm not sure what my highlights were from last year, there were so many, but the one's that stand out for me were the "If I ruled the World Festival" at BAC, which I helped produce and perform at, the nights I performed with the Roundhouse Poetry Collective at Shunt, Tounge Foo, the Edinburgh Fringe and the Oxjam "the Camden Incident" at the Greenote.

I hope 2011 is as good as 2010 and I continue pushing forward. The Rubix début show "House Party" is starting to take shape (we now have a page on the Roundhouse website though they spelt my name wrong http://www.roundhouse.org.uk/explore/portfolios/rubix)  and I will also be performing at Rum Punch, Mixed Messages and Bang Said The Gun in the near future.

I've temporarily come off the swing for now, I must have been hogging it, but I'm twice as hungry as I was this time last year, so with a lot of learning ahead of me I'm looking forward to the challenges of the coming year.

Happy new year

Paul

P.S Fellow Rubix member and stand up comedian Sean Mahoney, and former Rubix member and poetry superstar Indigo Williams will be dropping his EP's on Roundhouse Records this month http://www.roundhouse.org.uk/explore/portfolios/roundhouse-records. Having had the pleasure of working with them both I can assure you these will both be works of ground-breaking greatness.